Evidence |
Excerpt from Evidence's Issue Introduction: "The times we are living in seem all too real and, against all expectations, the best evidence seems to lie in a few dozen grainy digital photographs e-mailed from the other side of the world." |
Mobility |
Excerpt from Mobility's Issue Introduction: "As we finalized preparations for publication of this installment of Vectors, the relevance of the issue's theme - mobility - was cast into surreal relief by the events leading up to and following Hurricane Katrina." |
Ephemera |
Excerpt from Ephemera's Issue Introduction: "The environmental destruction and increasing toxicity of our planet during the past half-century is symptomatic of a seeming inability to look beyond the next quarter's profit-loss reports." |
Perception |
Excerpt from Perception's Issue Introduction: "military to the foliated Kufic script carved into the walls of the Al-Azhar Mosque - mediate our perception, delimiting and producing meaning from the sensory fields we inhabit in very precise ways." |
Difference |
Excerpt from Difference's Issue Introduction: "As with 'The RED Project,' the team behind ThoughtMesh invites you to push beyond the surface of your screen and the modular nature of much of digital culture toward larger enmeshed meanings." |
Memory |
Excerpt from Memory's Issue Introduction: "This issue of the journal also includes a final project designed by Vectors' longtime Creative Director, Raegan Kelly, who worked with Mark Hansen on shi jian: time." |
Current Projects - Current Issue |
Excerpt from Current Projects' Issue Introduction: "Since Vectors launched in 2005, many more scholars have the capacity to produce multimodal research, and the number of venues for such work has slowly expanded." |